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  1. Frederic Chopin - () - Preludes, op. 28 - Andrew Tyson, piano - ZIG-ZAG TERRITORIES - TT: - () - Program - I - C major - Agitato; II - A minor - Lento; III - G major - Vivace; IV - E minor - Largo; V - D major - Allegro molto; VI - B minor - Lento assai; VII - A major - Andantino; VIII - F-sharp minor - Molto agitato; IX - E major - Largo; X - C-sharp minor - Allegro assai 5/5(8).
  2. Artist: Vladimir Feltsman Title: Chopin: Preludes, Op. 28 Year Of Release: Label: Sony Classical Genre: Classical Quality: FLAC (tracks) Total Time: min Total Size: MB WebSite: Album Author: Vladimir Feltsman.
  3. Apr 21,  · Prelude in B Minor, Op. 28, No. 6; Artist Vladimir Feltsman; Licensed to YouTube by SME (on behalf of Sony Classical) Song Prelude in A Major, Op. 28, No. 7; Artist Vladimir Feltsman.
  4. Jul 04,  · Provided to YouTube by Sony Music Entertainment Prelude in C Major, Op. 28, No. 1 · Vladimir Feltsman · Frédéric Chopin Chopin: Preludes, Op. 28 .
  5. Browse: Chopin - Prelude Op. 28 No. 7 in A major This page lists all recordings of Prelude Op. 28 No. 7 in A major by Frédéric François Chopin (). Showing 1 - 10 of results.
  6. Chopin's 24 Preludes, Op. 28, are a set of short pieces for the piano, one in each of the twenty-four keys, originally published in and dedicated to Joseph Christoph Kessler, a composer of piano studies during Chopin's time. Ten years earlier, Kessler had dedicated his own set of 24 Preludes, Op. 31, to Chopin. Although the term prelude is generally used to describe an introductory piece.
  7. Prelude: The Polish Dance - Op. 28, No. 7 Download MP3 ( Ko): interpretation (by Bert, Jacques) x ⬇ x MP3 added the by jbert
  8. Vladimir Feltsman - The Complete Sony Recordings. Sony: Buy 8 CDs online. Vladimir Feltsman (piano) Israel Philharmonic Orchestra, London Symphony Orchestra, National Symphony Orchestra, Zubin Mehta, Michael Tilson Thomas, Mstislav Rostropovich.
  9. The ordering of the Op. 28 preludes was determined by perceived pairing of major and minor keys, so that the key signature of a major key prelude would be the same as that of the minor key prelude that immediately followed. So, for example, the familiar “Raindrop” Prelude no. 15 is written in the key of D-flat major, which contains five.

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